Imaginary Forces Wins Emmy for Outstanding Main Title Design
VFX Legion Creates CG World for Scandal Crossover Episodes
Burrell Crafts Compelling Spots ‘40000 Friends’ & ‘Good Things’ for McDonald’s
Elastic Creates A Visual Collision of Luxury and Violence for “The Night Manager” Titles
New Animated Short “H Is For Healthy” Makes Debut On HBO’s Sesame Street
Imaginary Forces Creates Gritty Main Titles For Marvel’s Jessica Jones
Roger Designs Family Jr. Brand with New Logo & On-Air Package
The Colonie & Tandem Inc. Slam A Spot For GrubHub With High-Energy Spin
One Fine Day Sets L.A. Ablaze in AMC’s “Fear the Walking Dead” Launch Trailer
The Colonie Editorial + VFX Talent Helps McDonald’s Introduce Touch-Screen Kiosk Ordering
Josh Goble Creates Winning VFX TV Ad in CGSociety MODO Time Travel Challenge
ALMA MATER Marches Forward With Team Detroit On New Ford F-150 Campaign
Trollbäck + Company Creates “The Slap” Show Open Entirely In Camera
A52 Creates VFX for GS&P N.Y.’s Comcast Emily’s Oz Commercial
Big Block Design Group and ESPN Reveal Stunning Rebrand of ESPN’s Entire Lineup of NFL Shows
Phosphene Creates VFX for “The Knick” Starring Clive Owen
yU+co Crafts Thoughtful Yet Provocative Title Sequence For HBO’s “The Leftovers”
Monkeyhead Helps ‘Untie The Knot’ For Bravo
Juniper Jones Squarespace
DreamWorksTV Launches On YouTube
Leviathan Holds Nothing Back on Starz “Power” Titles
Trollbäck + Company Creates Show Open For HBO’s “Last Week Tonight with John Oliver”
Big Block Design Group Creates Epic Main Titles and Show Open for Cosmos: A Spacetime Odyssey
Brand New School Work Their Design Magic For The BBC Radio 2 “Electric Proms”
VFX Legion recently created the visual effects for the highly anticipated crossover episodes of ‘Scandal’ and ‘How to Get Away with Murder.’
To set the mood for the sultry spy series, executive producer Simon Cornwell worked with creative director Patrick Clair (Marvel’s Daredevil, The Man in the High Castle) on creating the main title sequence. To create it, Cornwell and Clair’s team worked on combining “two themes—the conspicuous beauty of luxury and the destructive threat of weaponry—into a single, beautiful sequence that would draw the audience into the world that we were creating,” says Cornwell.
Imaginary Forces creates gritty main titles for Marvel’s Jessica Jones.
Creative production studio Roger has rebranded the new Canadian preschool network Family Jr., part of DHX Television’s suite of channels. The realigned network and its French-language counterpart, Télémagino, are geared towards children ages two to five.
GrubHub tapped Tandem, Inc. to collaborate together on their latest national broadcast spot. Tandem’s Tyler Jay directed, and their creative team wrote and produced the spot and began collaborating with The Colonie creative editor Brian Sepanik shortly after the commercial was written.