Fusion Studio used to Create Visual Effects for New ITV Drama Series The Halcyon
Blackmagic Design today announced that London-based effects studio Lexhag deployed Fusion Studio on ITV’s “The Halcyon,” using the comprehensive VFX suite from Blackmagic Design to help plan and produce subtle, believable visual effects for the wartime drama series.
VFX supervisor on “The Halcyon” was Lexhag co founder, Alexis Haggar, who decided to make use of Fusion Studio and planning component Generation throughout the pipeline, from pre-production to the final render, including live compositing work for on set look development.
With Fusion Studio running on a MacBook Pro, Haggar connected an SDI feed from the camera via a Blackmagic Design UltraStudio Mini and captured live foreground blue screen frames straight into the laptop over a high-speed Thunderbolt connection.
“With the speed demanded by television, you want to have as many clues that VFX is going to work as possible.… Fusion is an excellent tool for that.
“By importing the images into Fusion, we were able to extract the action and quickly comp it over a background plate we had shot prior to the main shoot. Geometry was also added to bring in some of the features of the show’s hotel setting that weren’t there on the day, ” begins Haggar. “This allowed the Director and DoP to visualize where best to place the camera and how it should be lit to marry up into one seamless shot.”
When it came to post production, one of the most innovative uses for Fusion on “The Halcyon” involved a sequence featuring a dogfight above the skies of London between British and German warplanes. One of Lexhags lead compositors, Ken Turner, looked after the whole shot, bringing 3D models into Fusion, lighting and rendering it with the Fusion Renderer.
“We experimented with capturing flight sim data to animate the planes. With an old joystick, we flew them through various combat maneuvers and recorded their motion to a simple text file. From this real foundation, we tweaked the motion by hand in Fusion until we had the best performance to camera. We then wrote custom scripts to create particle systems for tracer fire and vapor trails. When all was in place, we could freely move the planes around, and the whole scene would update automatically.”
“With the speed demanded by television, you want to have as many clues that VFX is going to work as possible. We don’t have one day to do one green screen shot, we’ve got half an hour to do one. Fusion is an excellent tool for that. The workflow would be very different and very cumbersome with anything else.”
Ultimately, the biggest benefit of using Fusion for Haggar was its flexibility and its speed. “It’s stable, and due to the way it is licensed, it’s very quick to add a seat and get someone working on it,” he concludes. “You can just sit someone at a computer, plug the dongl in and off they go.”
About Blackmagic Design
Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia.
Creative CreditsProduction Company: Left Bank Pictures
Executive Producers: Andy Harries, Sharon Hughff
Producer: Chris Croucher
Line Producer: Angie Daniell
VIsual Effects Company: Lexhag
VFX Supervisor: Alexis Haggar
VFX Supervisor: Anna-Louise Gordon